it was this: it was this:
songs and dances inspired by the life and work of
Virginia Woolf and the Bloomsbury Group
with Princeton & Stephen Pelton Dance Theater
at the 19th Annual Virginia Woolf Conference
Friday June 5th, 2009 8pm
Pope Auditorium, Fordham University
113 W 60th St, New York, NY 10023
Tickets $20. Available online today & tomorrow only & then at at the door.
But don't take it from me. Here's what the collaborators say:
Southern California frolic meets Northern California serious in a one-night only collaboration of song and dance.Tickets are selling fast, so hop online & buy one: no need to register for the conference, just get a ticket (or four or five). And big, big, big thanks to Paula Maggio of Blogging Woolf for turning me on to Princeton in the first place!
Princeton, the Los Angeles-based trio, join forces with San Francisco’s Stephen Pelton Dance Theater in it was this: it was this: an evening of songs and dances inspired by the life and work of Virginia Woolf and the Bloomsbury group.
Princeton will perform all of the songs from their recent EP Bloomsbury, each lyrically focused upon a member of the Bloomsbury Group. Portraits of Leonard Woolf, Lytton Strachey, Virginia Woolf and John Maynard Keynes are each presented in a different musical framework with lush orchestral arrangements. The band is comprised of twin brothers Jesse and Matt Kivel and Ben Usen. The band will be joined by 8 additional musicians in recreating their frolicsome, exuberant take on the cast of Bloomsbury characters.
Stephen Pelton Dance Theater, known for known its intimate theatricality and emotional intensity, may be familiar to audiences from previous Woolf conferences. This year the company will perform several new works including the premiere of it was this: it was this: a choreographic study of Woolf’s punctuation. Using a single paragraph from To the Lighthouse, the company dances their way from the first word to the last, pausing briefly for every comma, parentheses and semicolon in-between. The company also performs a revised version of The Death of the Moth, first seen at the Plymouth State Conference in 1997.
The artists will combine forces for the premiere of Lytton/Carrington, a portrait-in-miniature of this most original of love stories.
Pelton writes, “What is most interesting to me in this collaboration with Princeton, is how remarkably different our approaches to Woolf are. I suspect that some of this may be attributable to the fact that we are from completely different generations—I am in my mid-forties, they in their early twenties. Their sweet, light-hearted and, at times, irreverent response to the material would have been unthinkable to me twenty years ago when I started to read Woolf and make dances inspired by her. Though they are always respectful, their songs embrace the playful spirit in Woolf’s work and in the lives of her colleagues; whereas I have tended to focus my response on the gravity of Woolf’s concerns. This contrast should make for a very fascinating evening in the theater.”
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