I read this book because I needed a summer beachy read and
saw that Hanauer was the editor of the collection The Bitch in the House.
Knowing she was a feminist, I hoped that this would be a light book that also
wouldn’t make my reading stop short with some moment of feminist outrage.
It was all right but not nearly as great as it could have
been. Boy, does it ever capture something about the zeitgeist,
though—both of my own life right now and, as I understand it, of a big sliver
of lives of people in their 40s. So, on balance, I am glad I read it to the
end. Gone tells the story of Eve Adams (that name! So unsubtle—it in
itself almost made me stop), a nutritionist, and her husband, Eric, a sculptor.
When the novel starts, Eric has run off with the babysitter. I can see why.
Eve is my worst version of myself: wound way too tight,
working way too hard, primarily responsible for the home, food prep, and
children, she is also having a great moment in her career: things are really
taking off for her. Eric, by contrast, is struggling. Uninspired, he hasn’t
completed—or sold—a sculpture in a long time and is wondering if he has it in
him to ever create art again. (Now, since I’m identifying, let me clarify and
say that this—the dry spell or the running off with the babysitter part—is
emphatically not a parallel to my beloved’s life.) There’s no room for
Eric in their lives at home and he’s frustrated with his career. They need a
marriage reset. It’s a great and interesting problem and the unfolding of the
novel is interesting—just the right combination of surprising and predictable
to make it a reasonable read. And, having spent time this year renegotiating
some of the balances in our marriage now that I’m (still) working too hard but
that our youngest is in school and the demands of parenting have changed, too,
I was interested in their problems.
But I was disappointed to see Northampton, Mass. given a
fake name: after all the pleasures of recognition in Goodbye, Columbus,
I felt the lack in Gone (which I read first) all the more keenly: why
not name the town where the poor, obese white client lives? The juxtaposition
of poverty with the appealing, fancy, yoga-and-tolerance filled communities of
the Happy Valley are one of the most interesting things about that region.
More than that, again and I again I found sentences that I
wanted tighter and assumptions that I wanted looser. Too often characters are
identified by their census categories and shown to be lovable for conforming to
what we expect of the black teen mom, the plump chatty Jewish lady, the hippie
white girl in the coffee shop. It was never offensive, but it felt lazy and
unimaginative. When Eve plays her “game” of trying to see if she can find
twenty people in the food court who do not need to lose twenty pounds, I hated
her. Listen, Eve, I wanted to scream, stop being so judgy!
Still, as a fictional counterpart to those lifestyle pieces
about families where the wife outearns the husband, Gone held my
interest even as it made me feel like I’d be boxed into one of Eve’s narrow
categories: just another tired mommy in the food court who could stand to lose
a few pounds.